Wood, mud, water, cement pillar.
The chronicle of the water level of a lake that has been in this space, or maybe a spatial projection of another place from which this lakes bottom has been carefully transported.
While the water is absent, its absence is illustrated and the vacuum transforms into matter.
Snapshots of three violent transitions of the past are visible. Though not yet consolidated, it eventually turns into barren land.
In the end there is only the past.
From "Vanguard"* exhibition / arcade of Aghios Minas / Thessaloniki

*Part of the parallel program of the 4th Thessaloniki Biennale of Contemporary Art

curated by Anna Maria Kanta.
From "Vanguard" exhibition.

In the end there is only the past.